Anti-alias lowpass filter conjugated with resampler.Ultra accurate resampling algorithm (ADC emulation, no harmonics above 22kHz).Alternatively, both channels can be linked to set path parameters to the same value for both right and left channels. This can be used, for example, to create the impression of a wider stereo stage. This allows all path parameters to be set differently for each channel. These can be used to smooth the sound or remove more of the sonic artifacts introduced into the signal path by the modelling process.ĭecimort can process the right and left channels of a stereo signal completely independently. A further very steep low-pass filter, synchronised to the signal frequency, can be applied at the end of the signal path to absolutely ensure that no unwanted out-of-band signals remain.ĭecimort is also equipped with analogue-like filters with adjustable resonance that allow further sculpting of the signal. Undesired artifacts are not present in the processed signal.
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The only aliasing effect present in the system is the modelled aliasing of the classic samplers d16 modelled when creating it. The complex and advanced signal processing algorithms within Decimort simulate the behaviour of the whole sampling path which exists in every AD/DA converter. It also acts as the perfect bit crusher with filter.
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This sound colouration was due to the encoding techniques, lower sample rates, lower bit rate and conversion circuits which these early samplers used.ĭecimort recreates this colouration and adds the vintage sampler magic to any loop, bass line or sound played through it. They added a "grit" and "colour" to the samples and loops they played back which made them sound "Fat" and sit well in a mix. Electronic music producers (especially in Hip-Hop) have always been aware that classic samplers (such as early Akai and E-MU units) had a character and sound of their own.